#Drag me to hell blu ray movie

Christine though a good person, makes one selfish impulsive decision that starts the film’s plot in motion. Only the true horror fans and Raimi acolytes understood the subversive horror comedy was much more than its Rating and the initial reception.ĭrag Me to Hell is a nasty bit of business that often times plays as sneaky as the Lamia, the demon sent to torment Christine (Alison Lohman) before, as the title states, she is dragged to hell. Many, audiences and critics alike, dismissing the film as nothing more than trite PG-13 horror that was en vogue at the time. Drag Me to Hell has suffered the most from this shadow. No film, including his first two Spider-Man films, has ever been able to shake the comparison to the iconic Bruce Campbell led horror trilogy. The Evil Dead Trilogy casts a long shadow over director Sam Raimi’s career. Scream Factory does a great job with the transfer but the special features come up a bit thinner than one would expect… It may prove to this reviewer as a worthy contender for best Sam Raimi horror film. The underseen Raimi horror film deserves discovery beyond the horror fans who praise it, and justifiably so. We say: It may be light on extras, but Raimi's long-awaited return to horror makes for a delightful HD platter.Adam takes a look at the beautiful edition Collector’s edition of Sam Raimi’s Drag Me to Hell being released by Scream Factory. It's such a shame that there's no Raimi commentary, as those he's recorded for the Evil Dead films have been real fan-pleasers. The behind-the-scenes footage in the former is interesting, if lacking a little depth, while the interviews are typical EPK fare.

#Drag me to hell blu ray movie

Like a fairground thrill ride, the soundtrack to Drag Me to Hell is eerie, economic and devilishly effective.Įxtras: Other than the two different cuts of the movie – with a whopping seven-seconds of difference between then - the only other extras are Production Diaries and some interviews with Sam Raimi and stars Alison Lohman and Justin Long. The score by horror veteran Christopher Young, with its plaintive gypsy violin refrain and soaring choral work, is suitably atmospheric, and great demo sequences abound: the goat-baiting séance to call forth the demonic Lamia is a particular hoot, while the car park attack sequence is ripe with ribald staple-punching sonic design. No opportunity is missed to place creaks and freakish sound effects in the darkest corners of the DTS HD-MA 5.1 mix, and the LFE grumbles like Old Nick when required. Technically faultless, but not exactly reference level.Īudio: Raimi's slapstick horror has a soundtrack as frolicsome as its story. This, however, is counter-balanced by excellent colour reproduction and a fine layer of grain that ensures the imagery retains a natural filmic feel. The downside to this is that the resulting hi-def imagery can seem 'flat' in comparison to other BD encodes. Picture: Presented in its original AVC-encoded 2.35:1 aspect ratio, Lionsgate's Blu-ray release of Raimi's latest spooktacular does an excellent job of accurately replicating the film's rather muted and dull visual style. In other words exactly the kind of silly ghoulish treat Hollywood seemed to have given up on. It's not the most original film - the story about a young woman with only days to live after being cursed treads much of the same ground as MR James' Casting the Runes (and the excellent 1957 adaptation Night of the Demon) - but that really doesn't matter a jot, as writer-director Sam Raimi delivers a fast-paced and playful chiller that's entirely focused on making its audience jump.

Quite simply, Raimi's return to the genre that spawned his career is a much needed breath-of-fresh-air for the increasingly self-referential, po-faced and torture-obsessed American horror genre. Having finished with Spider-Man, the man behind The Evil Dead makes his return to big screen horror